Los Angeles, California – Justine Bateman, a veteran actor-filmmaker with a computer science degree from UCLA, has been a vocal critic of Hollywood’s increasing reliance on AI technology. She has raised concerns about the dangers of replacing human creativity with machine-generated content and has actively opposed the use of Generative AI in the film industry.
Bateman, who founded Credo 23, an organization dedicated to preserving the human element in filmmaking, believes that the rise of AI in Hollywood threatens to undermine the authenticity and creativity of the industry. She argues that the shift towards automated content production is eroding the essence of filmmaking and diminishing the unique voice of human creators.
In response to the growing integration of AI tools like OpenAI’s Sora in Hollywood, Bateman has renewed her call for a return to human-driven storytelling. She emphasizes the importance of preserving the artistry and emotional depth that only human creators can bring to the screen, as opposed to relying on algorithmic content generation.
The Credo 23 Film Festival, spearheaded by Bateman, aims to provide a platform for filmmakers to showcase their work without the use of AI technology. The festival, which features a curated selection of shorts and features, focuses on supporting filmmakers who prioritize human-centric storytelling and resist the trend towards automated content creation.
Bateman’s anti-AI stance is rooted in her belief that the influx of technology-driven solutions in the film industry has led to a decline in quality and originality. She warns against the potential consequences of allowing AI to dictate content choices and emphasizes the importance of preserving the integrity of human creativity in filmmaking.
Despite the prevalence of AI tools in Hollywood, Bateman remains steadfast in her commitment to championing human-driven storytelling and supporting filmmakers who eschew automated content creation. She believes that the future of filmmaking lies in embracing the raw, authentic voices of human artists, rather than relying on AI-generated content that lacks the depth and emotion of genuine human expression.
As the film industry grapples with the integration of AI technology, Bateman’s advocacy for human-centered storytelling offers a refreshing perspective on the importance of preserving the artistry and craftsmanship that define the essence of filmmaking. Through initiatives like the Credo 23 Film Festival, she is paving the way for a new era of filmmaking that celebrates the power and creativity of human artists in an increasingly automated landscape.