Los Angeles, CA – A crew member from the film “It Ends With Us” has come forward with claims that Blake Lively attempted to assert control over the movie, contradicting the actress’ side of the story. Lively and director Justin Baldoni have escalated their feud by filing lawsuits against each other. Lively alleges that Baldoni sexually harassed her during filming, while Baldoni contends that Lively falsely accused him in an effort to salvage her reputation after assuming control of the film. The recent revelations from a crew member shed new light on the ongoing legal battle between the two.
The crew member, Talia Spencer, a storyboard artist for “It Ends With Us,” expressed her perspective during an interview with “60 minutes Australia,” suggesting that Lively may have tried to manipulate the production. Spencer claimed that there was a significant compromise on Baldoni’s original vision for the film due to Lively’s alleged interference. While specific details from filming were not shared, Baldoni’s defamation lawsuit against Lively and her husband, Ryan Reynolds, portrays a narrative where Lively gradually took over creative aspects of the movie that exceeded her contractual entitlements.
According to Baldoni’s lawsuit, Lively sought creative control over various aspects of the film, including wardrobe choices, script revisions, and even involvement in the editing process, contrary to industry norms and her contractual obligations. The lawsuit details instances where Lively allegedly made threats to maintain her authority on set. The complexities of their working relationship brought about conflicting versions of the movie, with Lively advocating for her creative preferences and Baldoni striving to uphold his directorial vision.
The crew member’s account challenges Lively’s claims of unprofessional conduct during certain scenes, particularly a birthing scene where she alleged inadequate safety measures and lack of privacy. Adam Mondschein, who co-starred in the film, disputed Lively’s characterization of the scene, emphasizing the professionalism and appropriate conduct observed during filming. The contrasting perspectives between Lively and Mondschein further highlight the diverging narratives surrounding the production of “It Ends With Us.”
As Lively and Baldoni continue their legal dispute, the public remains captivated by the unfolding drama between the two prominent figures in the film industry. With a trial date set for March 2026, the unresolved conflict between Lively and Baldoni shows no signs of abating, leaving their professional reputations at stake. The contentious battle over creative control and professional conduct on the set of “It Ends With Us” underscores the complexities of collaborative filmmaking in the entertainment industry.