Los Angeles, California — The vibrant new musical Real Women Have Curves immerses audiences in a world bursting with color and emotion, reflecting the vivid hues of L.A. sunsets. With its lush staging, featuring projections of tropical flowers, the production presents an experience that is both visually arresting and emotionally poignant.
Set against the backdrop of a 1987 immigration crisis, the narrative centers on Ana, portrayed by Tatianna Córdoba. Ana, an 18-year-old aspiring writer, grapples with the daunting realities facing her friend Itzel, a Guatemalan refugee detained by immigration authorities. Seeking to sponsor Itzel, Ana confronts the harsh complexities of her own life and immigration system, illustrating a profound struggle that resonates today.
Though the original play debuted in 1990 and was later adapted into a film in 2002, Real Women Have Curves captures the chilling urgency that still surrounds immigration issues. The ongoing use of ICE in this context draws stark parallel lines to contemporary events, compounding a sense of despair that reflects a growing national crisis.
Directed by Sergio Trujillo, the production bursts with vivacity and emotional depth. It successfully navigates the pitfalls of melodrama to provide a sincere depiction of its characters’ lives, rather than bombarding viewers with overt political statements. The story melds humor and gravity, showcasing the struggles of immigrant families while exploring themes of hope, resilience, and personal growth.
In a departure from typical narratives, Ana’s journey does not hinge on a climactic revelation regarding her acceptance into Columbia University. Instead, her family is aware of her scholarship from the outset. The complex relationship between Ana and her mother, Carmen—played compellingly by Justina Machado—forms the emotional backbone of the story. Carmen holds traditional views about familial duty, setting up a rich dynamic that unfolds throughout the musical.
Amidst the struggles, Ana’s family operates a garment business that employs numerous undocumented workers. This setting not only highlights the daily realities faced by many immigrants but also allows the musical to tackle the nuances of intergenerational tension. When Ana returns home disheartened after failing to save Itzel, her family’s understanding offers a powerful moment of solidarity in the face of adversity.
The production’s design enhances its storytelling, with Hana S. Kim’s video designs and Arnulfo Maldonado’s set work creating a vibrant, dreamlike atmosphere. The intricate visuals complement the characters’ aspirations and desires, adding another layer to an already rich narrative tapestry.
Musical numbers infused with salsa and mariachi resonate throughout the show, with each performed piece adding depth to the characters’ experiences. Even in moments of heartbreak, the songs maintain an air of playfulness, as seen in Estela’s catchy ditty, which celebrates her ambitions to break into the fashion world amid the stress of dire orders and looming immigration threats.
The ensemble cast adds a lively spirit, particularly during comedic moments that confront taboos surrounding womanhood. In one humorous scene, the women cheerfully unpack the realities of aging, transforming a topic often avoided into a relatable triumph.
Despite the engaging storyline, the title, Real Women Have Curves, invites scrutiny. In an era where body positivity encompasses broader definitions, some may question the implications behind a phrase that can unintentionally evoke stereotypes. However, the characters themselves embody a celebration of diversity and strength that transcends the title, opening dialogue around self-acceptance.
Real Women Have Curves presents a heartfelt exploration of identity, community, and the indomitable spirit of women. Through its fusion of humor, pathos, and vibrant artistry, the musical offers not just entertainment but also a reflection on the continuing struggles and triumphs of immigrant lives in America.