The much-anticipated Broadway production of “Death Becomes Her” debuts tonight at the Lunt-Fontanne Theatre in New York City. The star-studded cast includes Tony Award nominees Megan Hilty, Jennifer Simard, Christopher Sieber, and Grammy Award winner Michelle Williams. Directed and choreographed by Tony Award winner Christopher Gattelli, the musical features a book by Marco Pennette, and an original score by Julia Mattison and Noel Carey. The show boasts an impressive lineup of designers and creative talents, promising an evening of glamour and entertainment for theatergoers in the Big Apple.
As the curtains rise on “Death Becomes Her,” critics share their thoughts on the elaborate production. Jesse Green from The New York Times admires the theatrical performances of the cast, despite acknowledging the fundamental challenges faced by the story’s adaptation from film to stage. Jackson McHenry from Vulture notes the campy elements of the show and critiques the pacing of the second act. However, he praises the performances of Hilty and Simard for bringing energy and humor to the production.
Benjamin Lee from The Guardian hails the Broadway rendition of “Death Becomes Her” as a rousing and entertaining hit, predicting a long and successful run for the musical. Charles Isherwood from The Wall Street Journal finds the plot of the musical veering into ludicrous territory, ultimately questioning the show’s ability to convey a meaningful message. Tim Teeman from The Daily Beast commends the show’s delightful humor and expert direction, making it a must-see for theater enthusiasts.
“Death Becomes Her” captures the essence of the original film while adding a new dimension to the story through vibrant performances and dazzling production elements. With its larger-than-life characters and catchy tunes, the musical promises an evening of laughter and spectacle for audiences in the heart of Broadway. Whether it’s the witty dialogue, the elaborate costumes, or the show-stopping performances, “Death Becomes Her” aims to carve its own place in the pantheon of memorable Broadway productions.