London, England — Felix Manuel, known to fans as Djrum, has captivated audiences with his innovative mixing techniques that blur the lines between genres. In a recent conversation, the DJ and producer shared insights into his creative process, showcasing how he orchestrates energy shifts during performances. One method involves introducing ambient sounds to cultivate a dramatic transition, while another—drawing from old-school hip-hop—features the “crab” technique, where the crossfader is deftly manipulated to tease in sounds rapidly and rhythmically.
Manuel’s mastery is evident in his eclectic sets, where he effortlessly traverses the landscapes of dubstep, drum and bass, house, techno, and more. His recent BBC essential mix, which features a staggering 62 records over two hours, exemplifies this genre-blending prowess. This dynamic performance style even includes unique placements, such as the unexpected use of Arthur Russell’s voice layered over energetic beats.
His latest album, “Under Tangled Silence,” marks a significant evolution in Manuel’s artistry, transcending the frenetic pace of his DJ shows with a more poetic and nuanced approach. Infused with a variety of influences, the album illustrates his classical piano background alongside the vibrant energy of London’s underground scene. Manuel’s keen sense of rhythm and intricate arrangements turn each track into an emotional journey, merging diverse musical traditions in unexpected ways.
Beginning his piano studies at age seven, Manuel has gradually incorporated the instrument into his productions, emphasizing a shift from rigid compositions to more spontaneous expressions in his music. He recalls that the piano segments in his earlier work, such as the “Forgetting EP,” were primarily composed rather than improvised. In “Under Tangled Silence,” however, the piano takes center stage, often sounding as if it were being created on the spot. The track “Waxcap,” for instance, originated as a jazzy improvisation before evolving into a fully formed piece.
Alongside the piano, Manuel enriches his sound with an array of live instruments, including harp and mbira, and collaborates with cellist Zosia Jagodzinska to add depth to his arrangements. The album captures the listener’s attention not merely through instrumentation but also through innovative song structures. Unlike typical dance tracks that often rely on repetitive phrases, the compositions on this album are fluid and variable, shifting frequently to mimic the graceful movements of a flock of birds.
As each piece unfolds, “Under Tangled Silence” reveals itself as more than just a dance album; it resonates with personal and emotional depth seldom found in club music. This new work illustrates Manuel’s artistic maturity and his ability to transform complex musical ideas into something relatable and captivating. The seamless integration of various genres and styles reflects a remarkable technical skill, while inviting listeners into a contemplative space crafted from his life experiences.