Lusaka, Zambia – Filmmaker Rungano Nyoni’s latest work, “On Becoming a Guinea Fowl,” offers a captivating and surreal look into the life of a woman named Shula, played by Susan Chardy. The story unfolds in the aftermath of Shula finding her uncle’s body on the side of a deserted road. The film delves deep into themes of grief, tradition, and the stifling weight of generational expectations.
As Shula navigates the complexities of mourning her Uncle Fred, portrayed by a nuanced performance from Doris Naulapwa as her mother, the audience is drawn into a world where dark secrets and trauma lurk beneath the surface. Nyoni skillfully explores the tension between upholding traditions and confronting uncomfortable truths in the context of a tight-knit community in Zambia.
The dynamics between Shula and her cousins, Nsansa and Bupe, played by Elizabeth Chisela and Esther Singini, add layers of complexity to the narrative. Each character grapples with their own form of resistance to the stifling norms imposed by older generations. Through subtle yet poignant performances, the cast brings to life the struggle of breaking free from the shackles of tradition.
Nyoni’s distinct style of world-building shines through in “On Becoming a Guinea Fowl,” echoing her previous work in “I Am Not a Witch.” The film masterfully navigates the intersection of tradition, power, and resistance, drawing parallels between the characters’ struggles in different contexts. The reimagining of the character Shula serves as a poignant commentary on the cyclical nature of societal expectations and the silent battles fought within families.
Overall, “On Becoming a Guinea Fowl” invites viewers to reflect on the ways in which tradition can both unite and oppress communities. Nyoni’s artful storytelling and the compelling performances of the cast leave a lasting impact, offering a glimpse into the intricacies of grief, resilience, and the enduring power of hope in the face of silence.