New York, N.Y. — Alan Alda has long been recognized not only for his significant career in Hollywood but also for his advocacy for women’s rights. His commitment to feminist causes included campaigning for the Equal Rights Amendment and participating in the renowned equality album, “Free to Be … You and Me.” Alda’s involvement in projects like the story of Atalanta, a figure from Greek mythology, showcased his dedication to challenging gender norms. However, reflections on his 1981 film, “The Four Seasons,” reveal troubling undertones that resonate differently in today’s context.
The narrative centers on three couples who escape to a wooded retreat to celebrate a wedding anniversary. Alda, who takes on one of the lead roles, portrays Jack, while notable actors such as Carol Burnett and Rita Moreno round out the cast. The plot quickly shifts when one character, Nick, reveals his intention to leave his wife, Anne, citing her lack of ambition and engagement in life. This characterization paints Anne as almost comatose, further complicating the dynamics among the group.
Alda’s portrayal of marriage in the film suggests that relationships are fraught with challenges. Yet, Anne’s character often feels sidelined, leading to a disconnect that echoes stereotypes of the time. Critics noted that her limited presence seemed intentional, with little exploration of her own narrative arc. This illustrates not only a narrative flaw but raises questions about how women’s stories were often minimized in the cinematic landscape of the past.
Both versions of “The Four Seasons” emphasize the essence of marriage as a commitment requiring effort, yet Alda’s original framing presents a rushed and harsh critique of Anne. As Jack tries to guide Nick through his marital discord, the emotional turmoil feels poorly balanced. Instead of offering a deeper exploration of all characters, the film hastily relegates Anne to an almost forgettable role—a choice that reflects outdated views on female agency.
In contrast, the new Netflix adaptation, created by Lang Fisher and Tina Fey, revitalizes the story with a more modern lens. Set to resonate with contemporary audiences, this version maintains the original’s comedic element while delving into the complexities of its characters. The story’s premise remains intact, but the stakes are raised when Nick chooses to announce his marital intentions during a surprise vow renewal ceremony.
Acted by Steve Carell and Kerri Kenney-Silver, the new Nick and Anne face a more public breakup, adding layers to their character development. This time, Anne’s turmoil is palpable, allowing viewers to empathize with her struggles and growth. Rather than disappearing into the background, she evolves, eventually asserting her own identity and independence, guiding the narrative in a more constructive direction.
The updated series also expands character backstories, allowing for a more nuanced exploration of relationships. Where once characters felt like mere plot devices, they now come alive through deeper motivations and interactions. Alda’s portrayal of Jack as a therapist lends an interesting dynamic, as his character grapples with maintaining emotional honesty amidst the chaos, a substantial pivot from the original perspective.
As the couples learn to navigate their own challenges, the show underscores the importance of maintaining individual identities within a marriage. The chemistry between Fey and Forte evokes a familiar yet distinct energy, showcasing an evolved understanding of partnership. Their on-screen relationship captures both the tenderness and tension that often accompany long-term commitments.
Ultimately, the new “Four Seasons” serves as both a homage to Alda’s original work and a necessary evolution. It emphasizes that while marriage may not always be comfortable, it should never lead to complacency. This modern retelling encourages viewers to share in the challenges and joys of enduring relationships, resonating with today’s audiences who seek authenticity and depth in storytelling.