Los Angeles, California – Guillermo del Toro made history in 2023 by winning his third Academy Award for Best Animated Feature for “Pinocchio.” This marked his third Oscar since his initial win in 2018 for “The Shape of Water.” During the awards ceremony, del Toro was asked by a reporter what the award would say if it had the ability to speak, to which he humorously responded that it would tell him he’s Indio Fernández.
Del Toro’s comment alludes to the rumored connection between the Oscar statuette and Mexican director/actor Emilio “El Indio” Fernández, a significant figure in Mexico’s Golden Age of Cinema. Del Toro’s success in Hollywood, decades after his debut film “Cronos,” holds symbolic significance given Fernández’s alleged likeness in the Oscar statue. Alongside fellow Mexican-born filmmakers Alfonso Cuarón and Alejandro González Iñárritu, del Toro forms “The Three Amigos,” all of whom have made significant contributions to the film industry and received recognition at the Oscars.
The journey to recognition for Latin American films has not been easy, as highlighted by Carlos A. Gutiérrez, executive director of Cinema Tropical. Gutiérrez founded the organization to support the production, programming, and promotion of Latin American cinema, aiming to break through the limited perceptions and narratives often associated with films from certain countries like Mexico. European and American audiences have sometimes struggled to appreciate the depth and diversity of Mexican cinema due to narrow parameters and expectations influenced by European film movements.
The recent Oscars also showcased the challenges faced by Spanish-language films like Jacques Audiard’s “Emilia Pérez,” which received criticism for its perceived lack of connection to Mexico. Despite this, actress Zoe Saldaña’s win for Best Supporting Actress for the film highlighted the importance of diverse narratives and representation in the film industry. Saldaña’s response to criticism about the film’s portrayal of Mexico emphasized the broader themes and impact of the story, shedding light on the complex sociopolitical landscape of the country.
In the realm of international cinema, Mexico’s entry for Best International Feature, “Sujo,” explored themes of violence, identity, and culture with a focus on the impact of cartel violence on society. The limited release of the film in the United States highlighted the challenges faced by foreign films in reaching broader audiences and competing with mainstream Hollywood productions. Despite these obstacles, filmmakers like Fernanda Valadez and Astrid Rondero continue to push boundaries and create impactful storytelling that challenges traditional narratives.
The restoration and preservation of classic Mexican films have also become a priority for organizations like Martin Scorsese’s Film Foundation, which aims to bring to light the rich cinematic history of Mexico. Through collaborations with archives and descendants of historic filmmakers, efforts are being made to ensure that these valuable pieces of cultural heritage are not lost to time. The recognition of lesser-known Mexican titles and genres, such as rumberas films and horror classics, reflects a growing appreciation for diverse cinematic voices and narratives from the region.
As the world of cinema continues to evolve, the importance of exploring and celebrating the diverse stories and voices within Mexican and Latin American cinema becomes increasingly crucial. From the early days of Mexican silent cinema to the contemporary productions grappling with complex social issues, the legacy of filmmakers like Emilio Fernández and the impact of classic films like “Victims of Sin” serve as a testament to the enduring power of storytelling in shaping our understanding of the world. In a rapidly changing industry, the efforts to preserve, promote, and celebrate Mexican cinema’s rich history play a vital role in honoring the past while paving the way for future generations of filmmakers.