Paddington in Peru is “Bearable but no masterpiece” – A Review of the Latest Film Installment

London, UK – Third installments in film franchises often struggle to surpass the quality of their predecessors, with exceptions like Harry Potter and the Prisoner of Azkaban or Toy Story 3 being rare. This sentiment rings true as we delve into the world of ‘Paddington in Peru,’ feeling a sense of inevitable disappointment akin to children expecting less exciting holiday presents due to their parents’ financial difficulties.

The film features charming elements such as spectacular scenery, a child-friendly adventure story, and the inclusion of Olivia Colman as a manically grinning, occasionally singing nun. However, ‘Paddington in Peru’ faces the challenging task of following up two near-perfect predecessors: ‘Paddington’ (2014) and ‘Paddington 2’ (2017).

Both previous films successfully honored the original source material, Michael Bond’s ‘Paddington Bear’ book series, by blending British charm with a celebration of cultural diversity in contemporary London. However, with director Paul King stepping aside to work on a Willy Wonka project, ‘Paddington in Peru’ was entrusted to Dougal Wilson, known for his commercial and music video work.

Despite lacking the absurdist wit and dark edge that elevated the first two movies, ‘Paddington in Peru’ manages to hold its own within its limitations. Wilson’s expertise in advertising allows him to stay true to the brand while introducing new elements to the formula, showcasing Paddington’s journey back to his homeland with the Brown family in tow.

As the story unfolds, Paddington receives a letter from the Reverend Mother in Peru, sparking a mission to reunite with his Aunt Lucy. The journey leads the Browns to hire a boat helmed by the eccentric Hunter Cabot, played by Antonio Banderas, as they embark on a quest to find Lucy in the jungle.

While the film may lack the eccentricity of its predecessors, it caters to younger audiences with its well-distributed physical comedy and inventive set pieces. The detailed animation of Paddington, voiced by Ben Whishaw, seamlessly blends with the live-action elements, highlighting the advancements in visual effects technology.

‘Paddington in Peru’ shines a spotlight on the collaborative effort behind bringing the beloved bear to life on screen, showcasing the intricate details of his performance through animation. While the film may not reach the heights of its predecessors, it stands as a testament to the evolving landscape of visual effects in modern cinema.

In conclusion, ‘Paddington in Peru’ may not be a masterpiece, but it manages to deliver a heartwarming adventure that continues the legacy of the beloved character. With a talented cast and a strong emphasis on visual storytelling, the film serves as a delightful addition to the Paddington franchise, captivating audiences of all ages with its charm and humor.