Razzie “Worst of 2024” Winners Revealed: Francis Ford Coppola’s “Megalopolis” Sweeps Major Categories!

Los Angeles, California – The Oscars are set to celebrate the best in film this Sunday, while the Razzie Awards have already named the “worst” movies of 2024.

Sony’s much-criticized superhero film “Madame Web” took home three Razzies, including worst picture, worst actress for Dakota Johnson, and worst screenplay. “Joker: Folie à Deux,” another superhero movie that divided audiences, led the nominations with seven nods and won for best screen combo with Joaquin Phoenix and Lady Gaga, as well as for prequel, remake, rip-off, or sequel.

In a surprising twist, acclaimed filmmaker Francis Ford Coppola won for directing his high-budget epic “Megalopolis,” while star Jon Voight was recognized as the supporting actor for his role in the film, shared with his performances in “Reagan,” “Shadow Land,” and “Strangers.” Coppola’s “Megalopolis” tied for the second-most nominations, alongside “Madame Web,” “Borderlands,” and “Reagan.”

Coppola responded to his Razzies on social media, expressing his views on the industry and the importance of taking creative risks in filmmaking, despite box office numbers.

The director’s film “Megalopolis” had a disappointing box office performance, only earning $11.5 million from a budget of $120 million, as reported by Forbes.

The Razzie “winners” list also included other categories such as worst actor, actress, supporting actor, supporting actress, director, screen combo, prequel, remake, rip-off, or sequel, screenplay, and a Razzie Redeemer.

Overall, the Razzie Awards serve as a reminder of the diverse range of films that come out each year, showcasing both the highs and lows of the industry. It also highlights the importance of recognizing filmmakers and actors who take risks and push boundaries in their work, regardless of critical or commercial success.

In an ever-evolving industry like Hollywood, where trends and preferences change rapidly, the Razzie Awards offer a unique perspective on the year’s cinematic offerings and provide a platform for discussion and reflection within the film community.