Los Angeles, California — Dylan O’Brien, known for his role in “Teen Wolf,” is making waves with his involvement in the upcoming queer drama “Ponyboi.” In a recent interview, the actor spoke about the significance of being an ally to marginalized groups, highlighting his relationship with his sibling, Julz O’Brien, a trans and nonbinary individual.
O’Brien expressed gratitude for the diverse perspectives his sibling and other queer individuals bring to his life. He noted how these relationships enrich his understanding of the world, emphasizing the importance of representation in media.
However, the conversation took an unexpected turn when Julz responded to an article referencing O’Brien’s remarks, emphasizing their own experiences. On social media, Julz pointed out that the article failed to include their voice, despite featuring their image. “Kinda funny that this article didn’t ask me a single thing about myself?” they wrote, expressing frustration at being left out of a narrative that they felt directly involved them.
Julz identified as trans masculine and shared their preferred pronouns, he/they. This disclosure underscored the ongoing awareness of gender identity and representation within both personal and public discourse. “I’m glad I could deepen his experience in this world,” Julz added, alluding to their complicated relationship with O’Brien, including a lack of communication during significant life events.
The dialogue over the article sparked mixed reactions, with some commenters voicing their support for O’Brien while others criticized him for perceived neglect. One response highlighted concerns about O’Brien’s girlfriend, alleging homophobic and racist behavior, adding another layer of complexity to the public’s perception of the actor’s support for the LGBTQ+ community.
Despite the tensions, the discourse reflects a broader societal shift towards acknowledging and respecting diverse identities. Julz’s candid comments served as a reminder of the personal stories that often underpin public conversations about representation and allyship.
As the release of “Ponyboi” approaches, the spotlight remains on how narratives surrounding LGBTQ+ issues will continue to evolve in both media and personal relationships. The interplay between O’Brien’s expressions of support and Julz’s advocacy for recognition illustrates the intricate dynamics within families navigating identity and acceptance.