Mumbai, India – Indian filmmaker Payal Kapadia’s latest work sheds light on the lives of two women navigating careers and love in the bustling city of Mumbai. Titled “All We Imagine as Light,” the film captures the essence of the city through the stories of real immigrants who form its beating heart.
Premiering at the Cannes Film Festival, Kapadia’s narrative feature marks a significant moment for Indian cinema, being the first Indian film in 30 years to compete in the festival’s main section. The film received an overwhelming response from the audience, with an eight-minute standing ovation highlighting its impact.
In a departure from the glitz and glamour often associated with Bollywood, Kapadia’s storytelling delves into the everyday struggles and triumphs of ordinary people in Mumbai. Through the lens of two Indian nurses from Kerala, the film explores themes of love, work, and societal expectations in a city teeming with over 22 million residents.
Kapadia’s exploration of the characters’ lives resonates with themes of space and identity, echoing her past work in documenting the student protests at the Film and Television Institute of India. The filmmaker’s ability to capture the essence of Mumbai’s diverse and multicultural landscape sets her apart in the realm of Indian cinema.
With glowing reviews praising its humanity and storytelling, “All We Imagine as Light” has positioned itself as a strong contender for top honors at Cannes. Critics have drawn comparisons to iconic Indian filmmakers like Satyajit Ray, underscoring the film’s narrative depth and emotional resonance with audiences.
As Kapadia continues to shine a spotlight on the hidden stories of Mumbai, her work not only celebrates the city’s vibrant culture but also sheds light on the universal themes of love, longing, and the quest for connection in a bustling metropolis. Through her unique lens, Kapadia invites audiences to see Mumbai in a new light, viewing it not just as a backdrop but as a character in its own right.