Los Angeles, California – The film “Femme” navigates a complex narrative surrounding revenge and self-empowerment. In a tale of seduction and humiliation, the protagonist, Jules, seeks retribution against Preston by publicly outing him on a porn site. The ethical implications of Jules’ actions raise questions about the nature of queer violence. Despite its serious tone, the film refrains from descending into the extreme violence often seen in similar revenge thrillers, maintaining a sense of quiet rage throughout.
The imagery in “Femme,” crafted by directors Ng Choon Ping and Sam H. Freeman along with cinematographer James Rhodes, is striking. From the sleek club scenes to the neo-noir ambiance of the bathhouse, the film is visually captivating. Even mundane street scenes are elevated to resemble a fashion photoshoot. The polished aesthetic adds to the allure of the story and reflects Jules’ emotional journey.
As Jules grapples with the aftermath of his revenge plot, the film delves into themes of identity and healing. Actor performances by Stewart-Jarrett and MacKay skillfully portray the inner turmoil and external conflicts faced by their characters. Despite the focus on the pain of queer life, “Femme” falls short in exploring the joys that come with reclaiming power and identity from hate. Jules’ method of seeking revenge may not be a universal solution for all individuals in similar situations.
Throughout the narrative, “Femme” presents a moral dilemma that challenges the audience’s perception of justice and empowerment. By blurring the lines between revenge and self-discovery, the film offers a thought-provoking exploration of the complexities of LGBTQ narratives. Ultimately, the story leaves viewers contemplating the cost of seeking retribution and the true meaning of empowerment in the face of adversity.