Chicago, IL – Heist films often serve as a form of critique of the law, and one such film, “Drive-Away Dolls,” takes a unique approach to explore this concept. Co-written and co-directed by Ethan Coen and Tricia Cooke, the film introduces audiences to a world where a different law and a different world are imagined, challenging the status quo.
Set in the early 2000s, the film follows the story of Jamie, who has just broken up with her cop girlfriend, Sukie, and her friend Marian, who is tired of being single and fed up with her job. As they embark on a journey to Tallahassee, they unknowingly become entangled in a scandal involving a conservative senator seeking to recover his contraband goods from them.
“Drive-Away Dolls” stands out for its energetic and campy take on the classic heist film genre, with a script that is acutely aware and deliberate in addressing the issues prevalent in the state of Florida. In one memorable scene, a reference is made to the state’s discriminatory practices, drawing attention to the real-world challenges faced by LGBTQ individuals.
The film’s portrayal of Florida’s political landscape resonates with current events, such as the passing of “Don’t Say Gay” laws and other discriminatory measures targeting the LGBTQ community. These laws have led to censorship, book bans, and the resignation of LGBTQ teachers, creating an environment where discrimination against LGBTQ individuals is legalized.
Moreover, Florida’s restrictive legislation extends to issues such as gender marker changes on driver’s licenses, effectively outing trans individuals and leaving them vulnerable to discrimination. The film effectively sheds light on the state’s efforts to marginalize LGBTQ individuals, framing the narrative within a heist film context to convey a message of resilience and defiance.
“Drive-Away Dolls” presents a refreshing take on the heist film genre, offering a depiction of queer expression, community, love, and lust without the constraints of societal norms and laws. It challenges the patriarchal homophobic law and celebrates the joy of living authentically, portraying a world where the rules no longer apply.
The heart of the film lies in a poignant flashback, exploring Marian’s youth and her discovery of queer desire, adding depth to the characters and the film’s exploration of LGBTQ experiences. Ultimately, “Drive-Away Dolls” serves as a powerful statement on the value and importance of queer representation and art, positioning itself as a worthy heist in a world where such expressions may be deemed illegal.